
Song Draft 2021 – Round 10 – Final Pick – Superstition – Stevie Wonder
We have reached the final round of the 2021 Song Draft hosted by Hanspostcard. I want to thank Hans for allowing me to be a part of it, and also thank the other participants who welcomed me into the draft. I have truly enjoyed being a part of this!
Prior to the draft, I made a list of possible song choices. As the draft continued, each round I would look at my list (and at the songs picked by the others) and decide which one would be my next choice. Some of the picks were easy, while others were more difficult. A few of them were spur of the moment picks that weren’t on the original list.
As I looked at that list in preparation for my last pick, I see many artists that I’d love to have featured: Aretha Franklin, The Honeydrippers, Big Joe Turner, Bob Seger, The Go-Go’s, Bill Withers, Johnny Lang, Queen, Buster Brown, Dean Martin, Frank Sinatra, Buddy Guy, Mel Torme’ and so many more! I stared at my list for a long time and thought about it. Since I began the draft with a Michigan artist, I should wrap up with a Michigan artist. So my final pick for the draft is – Superstition by Stevie Wonder.

Stevie was born a little over 100 miles north of Detroit in Saginaw, Michigan in 1950. He would forever be associated with Detroit and Motown records. In a 1990 Detroit appearance at Tiger Stadium, Nelson Mandella said, “It is motor town that gave the world a great singer – Steve Wonder!”
In 1963, when he was known as “Little” Stevie Wonder, he had his first #1 song with a cut called Fingertips Part 2. Personally, I could never stand that song. It was in a heavy rotation at the first radio station I worked at, and I found it annoying. It would be 10 years before he received his next #1 song – Superstition.
The song was released on his fifteenth studio album, Talking Book.

Guitarist Jeff Beck was a fan of Stevie’s music and Stevie heard about this just before recording the Talking Book sessions. Though at this point he was playing virtually all of the instruments on his songs by himself, Stevie preferred to let other guitarists play on his records, and he liked the idea of a collaboration with Beck. An agreement was quickly made for Beck to become involved in the sessions that became the Talking Book album, in return for Wonder writing him a song.
According to legend, between the album sessions, Beck came up with the opening drum beat. Stevie told Jeff to keep playing while he improvised over the top of it. He improvised most of the song, including the funky riff. They wound up creating a rough demo of the song that day.
After finishing the song, Wonder decided that he would allow Beck to record “Superstition” as part of their agreement. Originally, the plan was for Beck to release his version of the song first, with his newly formed power trio Beck, Bogert, and Appice. Their album’s release, however, was delayed.
From Songfacts.com: When Stevie turned 21, he was no longer obligated to Motown Records, and used his clout to sign a deal with the label giving him unprecedented control of his music. He got a large share of royalties and publishing rights, and Motown was not allowed to alter the albums once they were delivered. One thing Motown did control, however, were what songs they released as singles. Knowing Jeff Beck was about to record his version, Motown head Berry Gordy made sure this was the first single and released it before Beck could get his out.
This was recorded at Electric Lady Studios, which is where Jimi Hendrix recorded. The studios stayed active after Hendrix’ death, with artists like Miles Davis and Deep Purple also recording there.
At the time, Wonder would keep the studio booked so he could record when inspiration hit. Stevie’s bass player at the time, Scott Edwards, told Songfacts this was not always convenient for his band. “Because he does not have sight, he’s not controlled by daylight,” said Edwards. “So he may begin his night at midnight. Which is bad, because if they want you to come do an overdub or something, he may call you at 4 a.m. and say, ‘Come on in.'”

I always loved the funky feel of this song, and I always played it when I was DJing Halloween parties.
Aside of Jeff Beck’s version, many others have covered this song. None made much of an impact until Stevie Ray Vaughan released a live version as a single in 1986 on his album Live Alive. His version still gets radio airplay today on many Classic Rock stations.
In 1974, the song earned Stevie his first Grammy Award.
Superstition – Lyrics
Very superstitious,
Writing’s on the wall,
Very superstitious,
Ladders bout’ to fall,
Thirteen month old baby,
Broke the lookin’ glass
Seven years of bad luck,
The good things in your past
When you believe in things
That you don’t understand,
Then you suffer,
Superstition aint the way
Hey
Very superstitious,
Wash your face and hands,
Rid me of the problem,
Do all that you can,
Keep me in a daydream,
Keep me goin’ strong,
You don’t wanna save me,
Sad is the soul
When you believe in things
That you don’t understand,
Then you suffer,
Superstition ain’t the way,
Yeh, yeh
Very superstitious,
Nothin’ more to say,
Very superstitious,
The devil’s on his way,
Thirteen month old baby,
Broke the lookin’ glass,
Seven years of bad luck,
Good things in your past
When you believe in things
That you don’t understand,
Then you suffer,
Superstition ain’t the way,
No, no, no
As a bonus – here is the official video of Stevie Ray Vaughn’s cover….watch for a cool cameo at the end ….
solid pick and glad someone finally got Stevie up there. Might not be my favorite song of his, but he has so many good ones in the ’67-77 kind of era, it’s almost impossible to pick just one. It surprised me this was his first Grammy win – he seemed to load up on them every year for awhile back then.
He really does have some great songs! As you said, There so many to chose from.
Great pick of a great song from a great album! I love the lyrics to this song, which are still so relevant today.
How did this song last until Round 10? On my Mount Rushmore of Motown related songs- Stevie’s greatest for sure- and he had dozens of great songs in that era. Great selection!
You can’t get any better than this. One of the great singles from the 70s or all time. I’m with Hans…how did it last this long without being taken? Great pick Keith
I like this one and SRV’s take also.
More pop songs need clavinet – up on cripple creek, fine time, and this one are all classics.
Fantastic choice – that clavinet riff and these horns are just fantastic. And such a cool groove!
It really is. It is just so funky!
Love this. It has one of the most iconic openings. You can’t go wrong with Stevie W.
This is one of those great songs that takes me back to a specific place and time. It was when I first heard of Stevie Wonder. Very glad to see it added to the draft.
Great pick – I love this song. Esp when the horns come in takes it to then next level!
Glad Stevie made it into the draft. There is a contagious funkiness that never get tired of.