
The American Top 40 replay this week on the 70’s on 7 was from the week of May 19, 1973.
1 2 YOU ARE THE SUNSHINE OF MY LIFE –•– Stevie Wonder (Tamla)-10 (1 week at #1) (1) A
2 1 TIE A YELLOW RIBBON ROUND THE OLE OAK TREE –•– Dawn Featuring Tony Orlando (Bell)-14 (1) B-
3 3 LITTLE WILLY –•– The Sweet (Bell)-18 (3) B
4 7 FRANKENSTEIN –•– The Edgar Winter Group (Epic)-11 (4) B
5 9 DANIEL –•– Elton John (MCA)-7 (5) A-
6 13 MY LOVE –•– Paul McCartney and Wings (Apple)-6 (6) D
7 5 DRIFT AWAY –•– Dobie Gray (Decca)-13 (5) A+
8 6 STUCK IN THE MIDDLE WITH YOU –•– Stealers Wheel (A&M)-12 (6) A+
9 14 PILLOW TALK –•– Sylvia (Vibration)-9 (9) B-
10 12 WILDFLOWER –•– Skylark (Capitol)-14 (10) C
11 11 REELING IN THE YEARS –•– Steely Dan (ABC)-11 (11) A+
12 8 THE NIGHT THE LIGHTS WENT OUT IN GEORGIA –•– Vicki Lawrence (Bell)-15 (1) B-
13 17 HOCUS POCUS –•– Focus (Sire)-12 (13) B-
14 15 DAISY A DAY –•– Jud Strunk (MGM)-14 (14) F
15 4 THE CISCO KID –•– War (United Artists)-12 (2) A
16 19 FUNKY WORM –•– The Ohio Players (Westbound)-13 (16) D
17 18 OUT OF THE QUESTION –•– Gilbert O’Sullivan (MAM)-12 (17) B
18 21 THE RIGHT THING TO DO –•– Carly Simon (Elektra)-8 (18)B
19 22 THINKING OF YOU –•– Loggins and Messina (Columbia)-8 (19) B-
20 24 I’M GONNA LOVE YOU JUST A LITTLE MORE BABY –•– Barry White (20th Century)-6 (20) B-
21 10 THE TWELFTH OF NEVER –•– Donny Osmond (MGM)-12 (8) F
22 27 PLAYGROUND IN MY MIND –•– Clint Holmes (Epic)-9 (22) F
23 26 STEAMROLLER BLUES / FOOL –•– Elvis Presley (RCA)-6 (23) C
24 16 SING –•– The Carpenters (A&M)-13 (3) B
25 34 RIGHT PLACE WRONG TIME –•– Dr. John (Atco)-6 (25) A+
26 30 LEAVING ME –•– The Independents (Wand)-7 (26) B
27 28 I’M DOIN’ FINE NOW –•– New York City (Chelsea)-12 (27) A
28 29 IT SURE TOOK A LONG, LONG TIME –•– Lobo (Big Tree)-7 (28) D
29 39 NO MORE MR. NICE GUY –•– Alice Cooper (Warner Brothers)-6 (29) A+
30 41 WILL IT GO ROUND IN CIRCLES –•– Billy Preston (A&M)-8 (30) A
31 32 ARMED AND EXTREMELY DANGEROUS –•– First Choice (Philly Groove)-11 (31) B-
32 20 WALK ON THE WILD SIDE –•– Lou Reed (RCA)-14 (16) A+
33 35 SUPER FLY MEETS SHAFT –•– John and Ernest (Rainy Wednesday)-6 (33) B
34 37 TEDDY BEAR SONG –•– Barbara Fairchild (Columbia)-13 (34) D
35 50 ONE OF A KIND (Love Affair) –•– The Spinners (Atlantic)-4 (35) A
36 36 I CAN UNDERSTAND IT –•– The New Birth (RCA)-9 (36) B
37 46 AND I LOVE YOU SO –•– Perry Como (RCA)-6 (37) B+
38 42 HEARTS OF STONE –•– The Blue Ridge Rangers (Fantasy)-8 (38) A-
39 40 LET’S PRETEND –•– The Raspberries (Capitol)-9 (39) A-
40 25 MASTERPIECE –•– The Temptations (Gordy)-13 (7) A-
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Most weeks when you do this chart I will go down them and pick some out that I don’t recognize and listen to them on youtube. 9 times out of 10 they come right back to me. Only the novelty type songs are usually the ones I’ve never heard or don’t remember. The music had staying power.
Yes same here- when I am listing to the countdown I will look at the chart as they go– and sometimes I see a title and think- “I don’t remember this” but when it’s played- I remember- for the most part.
This is a “get off my yard” kind of statement but I think we witnessed the best pop period 1950s-1990s…I missed a bit being born in 67 but I don’t see music being as important to people again… and meaning so much.
I think today for the most part- music and the artists who are making it seem pretty disposable to the listeners.
I always liked ‘Wildflower’ by Skylark
This is a pretty good list!
Thank god Stevie beat out ‘Tie a yellow ribbon…’ lol
Tie A Yellow Ribbon had been at #1 for 4 weeks before Stevie overthrew it.
Geez…
Sad but true- I was thinking it was a #1 song at one point and when I checked up on it.. yep.
Well…someone must have liked it….I guess…
There is no explaining taste- they sure had a lot of hits before their fans got tired of them. It seems like every week in the early 70’s have an Osmond or Tony Orlando and Dawn song..
Well it’s easier writing and producing songs when they don’t have to be any good I guess lol
I fell upon a documentary on John Denver yesterday evening and watched it for a while and they were explaining his appeal in the early 70’s- as a reaction of the American people -they were fatigued by Vietnam, Watergate the 1960’s and wanted something mellow– maybe that was Tony/ Dawn’s appeal- they offended no one other than true music lovers- and both Denver and Tony/Dawn’s popularity on the charts ended around the same period of time.
Oh, Vicki Lawrence…
That was her only hit- and looking into it- it was written by her husband at the time – for a very brief time- Bobby Russell- singer- songwriter.